And today is my last class, so here is what has happened so far.
This is the first attempt, now severed from the frame and waiting for me to do something creative with the fringe top and bottom. It's a bit skew wiff here and there, but I'm very happy with the middle section and in this picture all the visible warp threads where Ii ended up in the wrong shed are quite INvisible, which is a good thing.
Then, with this still on the frame, I warped up a bit of space at the side of this one to try out some techniques from Kirsten Glasbrook's very useful book. I think her work is inspirational, her use of colour and the subjects of her tapestries intrigue me and make me want to practice and practice until I can at least try and do something similar. Her book is a really useful guide to techniques, with plenty of clear pictures of "here's how to ..." and some lovely pictures of her own work at the end to draw you forward.
So far I have managed this, which is not a great deal. but what there is pleases me.
Today, our last class, I am going to try and get this finished and warp up for a larger piece to give me more space to experiment.
Meanwhile, my knitting and my other bits of stitching are taking a bit of a back seat.
As my school reports always said - should try harder!!!
My happy place for all things stitch and textile. You can also find me in more musing mode, at "Of Gardens, Grandmothers and Gleanings"
Saturday, 26 March 2011
Friday, 11 March 2011
gradually growing
This is where my little tapestry is now.
Next class tomorrow. I'm worrying that I shouldn't have done so much, will look like a show off, will have done it all wrong and all that silly nonsense, but the activity is so fulfilling I just kept going. To begin with I was just trying out stuff; how does this colour weave in with this? why have I got two warp threads above the weft and how do I fix it? what happens when things meet and merge? But gradually the rhythm of weaving takes over; in out in out, then easy through on the way back; colours blend and I felt the need for something planetary at the heart of the piece. I have a stash of yarns that I must have bought a good ten years ago as they "might come in useful"! They have been moved with me several times and cost all of £1.75 for a goodly pile of different colours and different lengths, all off cuts from something or other, found in a craft shop and perfectly suited to someone who is trying out some thing new but would be worried about using anything "too good" for that trying out. The shades are soft and natural and gradually this warm sun-like shape emerged. I had in mind sunsets and Jupiter. My dear one, who grew up in Africa says it is a perfect African sun sinking on the horizon. So be it. I shall take that thought and try and weave more warmth and light into it, but also darks, as without the night we have no balance or rest.
Next class tomorrow. I'm worrying that I shouldn't have done so much, will look like a show off, will have done it all wrong and all that silly nonsense, but the activity is so fulfilling I just kept going. To begin with I was just trying out stuff; how does this colour weave in with this? why have I got two warp threads above the weft and how do I fix it? what happens when things meet and merge? But gradually the rhythm of weaving takes over; in out in out, then easy through on the way back; colours blend and I felt the need for something planetary at the heart of the piece. I have a stash of yarns that I must have bought a good ten years ago as they "might come in useful"! They have been moved with me several times and cost all of £1.75 for a goodly pile of different colours and different lengths, all off cuts from something or other, found in a craft shop and perfectly suited to someone who is trying out some thing new but would be worried about using anything "too good" for that trying out. The shades are soft and natural and gradually this warm sun-like shape emerged. I had in mind sunsets and Jupiter. My dear one, who grew up in Africa says it is a perfect African sun sinking on the horizon. So be it. I shall take that thought and try and weave more warmth and light into it, but also darks, as without the night we have no balance or rest.
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