Showing posts with label solstice. Show all posts
Showing posts with label solstice. Show all posts

Monday, 17 February 2014

Stitching a Galaxy

I'm making a start on one of the pieces I dyed recently at Studio 11. It's sort of a practice for something else - a Winter Solstice cloth - but I want to find out how the stitching will work on this piece first; trial techniques, see what the needle feels like moving though the three layers of cloth. The middle layer is a dark blue linen, not the dull browny colour you can see at the right. It has a lovely drape and texture, then there's muslin at the bottom to anchor stitches in. The top is a piece I dyed using shibori techniques - a process I could get very addicted to! I'm just tacking the three lays together at the moment and plan to extend the stitching into the border so have left plenty of edge for that.


And before I forget - here is the second white work piece for City and Guilds. I love the strong shadows the trailing border gives, and the light and shade where the stitches run in different directions, which doesn't show up too well here.  I'm still debating whether to redo those rectangles at the side with their wobbly bars and uneven division!

Wednesday, 11 December 2013

misty sunrise

Early to work means not missing the beautiful. Actually you don't have to be out that early at this time of year, the solstice approaches



Oh! Did I show you this?
From April this year - bit if a theme going there ...

Friday, 21 June 2013

Thinking

About City and Guilds actually, my appliqué homework, which has been languishing through lack of inspiration. Finally getting somewhere


The thought and the fabric work together, along with a cup of tea of course, and some Rokia Traore in the background




Time to press and tack and stitch!

Friday, 21 December 2012

Couching.

Which is a word rather like couchant, which comes from the French word for lying down, which has a particular meaning for me as it appears in one of Ganna's novels, spoken about the sight of a headland, rather like. Beachy Head. This headland is in Swanage, know there as Ballard Down, I have a tinted photograph just outside my bedroom door.

The novel is called Glory Down. I have read it several times, but so long ago now I can't remember the detail. I'm off for a couple of weeks over Christmas, and might read it then.



Working notes in Ganna's handwriting
















But I digress. Couching. Using stitch to apply thread, or other, to a ground material, in this case the piece I've already used for the laid work.

I had been over in Eastbourne, and wandered into the little mall beside the station, looking for things to couch down. There's a little embroidery shop there, which always has something a bit out of the ordinary. I brought my treasures home, and, unpacking them, thought to look for what else I might have tucked in a drawer or two! I came up with these.


Then I thought to look further, what else might I couch down? A piece of fabric from a dyeing experiment, some fragments of Mum's dresses from. My scrap box, a vivid bit of turquoise, all repurposed fabrics, stitched to a charity shop find damask napkin which served as ground for the laid work.



Then I started stitching down the dyed fabric and did a little what if, which I am just starting to understand after following Jude's Blog for some years now? What if I bring the needle up and put it down within the profile of the strip of fabric?


A slight ripple in the fabric, which could be exaggerated but here is just held in with some turquoise fly stitches, their tails lengthened to accommodate the narrowness of the fabric.


I also discovered one has to have a full stop, or the fabric will flip up in an ungainly way!

Here some French knots and a little nine patch to echo the one in the centre hold everything in place, and stop the fabric from fraying any further. A little bit of fray brings out that lovely contrast between warp and weft.

Here, the same technique with the same thread gives me a flower garden, and allows a bit more of mum's dress to show behind the flower fabric.

I did my best to continue the colour theme from the central piece of stitching, it must have some common theme to pull it all together, colour seems a good start.
I also try to use an elbows length of thread, as advised by Barbara, more or less, depending on the thing I'm stitching, the change colour - so what follows can contrast entirely, so long as it works with the colour theme and with what's being stitched down.n