I had a delightful time the week before last at Committed to Cloth, experimenting with colour, enjoying the companionship of the rest of the group and learning from Leslie, who is endlessly generous with her advice and expertise. We all experimented with mixing colours, each from her own source of inspiration. These included pictures torn from magazines, photos of favourite garden flowers, views of much loved scenes, paintings, advertising images, all the colours of the rainbow and more.
Some images were delicate and muted, some vivid and bright, we all brought or own interests and personalities to the workshop. Throughout the week Leslie talked to us about colour and shared her own working practice, inspirations and knowledge. We learnt about cool and warm colours, about tone, contrast, mood, proportion and the way to use the colour wheel to understand what colours go with each other and how they react to one another.
The first day we spent working from just one image, taking two colours from it and attempting to mix each from the eight dye colours available to us. We mixed a base colour, then diluted it, then diluted the dilution, if you know what I mean. These three source colours, light, medium and dark, were then mixed, each with each to achieve a palette of fifteen colours, graded from light to dark, from pure to mixed. The resulting colours were applied in little squares to the pre soda'd cloth of our choice. The studio was awash with little pots of colour and samples pinnned up on the design walls or pinned to the benches as we all experimented to our hearts content.
We were encouraged to "document, document, document" as this is the only way to truly understand the process. We were also encouraged to "steal" from each other, though only in the spirit of knowledge sharing. So, at the end of the first day we each went round everyone's table, with little bits of cloth, and took colour samples from everyone else's families, making notes on the mixes as we went.
This way we all benefited from each other's experimentation and colour interest; those working with a soft muted palettes could have brilliant brights as well, those working with darks could find out about pastels. Oddly, three of us, including me, worked a range from purple to green, my source being the Mackintosh
Descent of Night which I had taken with me.
In the following days we either mixed yet more colours, refined the ones we had already mixed, worked on creating imagery from those mixes or some or all of the above. By the end of the week the studio was full of colour samples and creative fabrics produced with our colours. In between these experiments we were fed delicious soups and salads, were tempted by several yummy cakes and a sumptuous cheesecake, had the opportunity to browse the books on the shelves in the studio and were given encouragement, help and advice from Leslie. We also had the pleasure of sharing each other's interests and expertise, and watching everyone's imagery and colour palettes develop through the week. With such a wide variety of experience and practice there was more inspiration than one couple possibly absorb in one week. Plenty of food for thought to mull over in slow time.
