Seven down

We had our monthly patchwork meeting today, and I'm glad to say I was all caught up with myself. We have completed seven of our nine blocks now, so are romping towards the finish line. I am really happy with where I am with these blocks. I have enjoyed each one - all different in terms of techniques, all challenging in their own way, but terrific fun nonetheless.

Here they are all laid out on the sewing room floor - the wonderful stripes in the middle are the handstitched rug that sits in there, created by a 90 year old lady who knew Cecil "in the dim distant past" to use one of her favourite sayings. 

The blocks seems to be balancing well in terms of colour and design (the design all being Naomi's of course, as she is the one teaching us) and I'm hoping the final two blocks will fit in, once they are made.

The bottom line includes the most recent block, my version of the drunkard's path block.

So what was on offer today? Well the usual delightful teaching by Naomi - who is always so good at explaining how we should construct the current block, and who always brings both interesting books,  relevant to the technique and delicious home baked biscuits for us to nibble with our mid morning coffee. And the block we are to do this month? Snail Trail, a block which seems to have several differing construction techniques. We will be foundation piecing, which means using a base fabric and stitching each scrap down onto this. Each bit of fabric overlaps the previous one, and is placed right sides together across it and stitched before being folded flat so that the seam you have stitched covers up the raw edge of the previous piece. I am looking forward to using up some scraps and probably creating more!

If only all learning was this much fun!

The impromptu design wall

I have mentioned Mesopotamia a couple of times - my Studio 11 focus for this year, to understand what it is to follow a theme and explore its possibilities. It is a project that is taking shape slowly and is often in the back of my mind, rumbling about while I'm reading or doing ether stuff.

When I am at home I have no access to a design wall as we do at Studio 11, so I improvise with shelves full of books. I have many of those and a random title pulled forward makes an excellent support for a hanger, and this type of hanger makes an excellent support for a piece of cloth. Wide pieces, like the ones on the right can be clipped to bit of suitable sized card, but Mesopotamia fits.

Below it is clipped together with a piece of soft blue design cloth which I am using to try out techniques, You might recognise the buff and turquoise fabric - in an earlier incarnation it too was a trial piece for "her ladyships trousers" I used it to develop the dyeing technique for the bottom of the legs.

It is a vintage linen - previously sheets (see the trousers story), and very soft and fine. I'm sure it was lovely to sleep on when used for it's former purpose, but now it stands in for Mesopotamia; layers of linen and layers of time blending together.

There is a moon peering up out of the darkness, and sandy soil rippling ripe for cultivation.

There is the outline of two rivers - the Tigris and Euphrates of course, tacked onto the cloth ready to be couched

The colour ripples in the fabric have an estuarine feel to them, suitable for an environment where water and ground were intermingled. I have stitched across the entire piece with running stitch to hold things all together and create one cloth out of two, backed, of course with a fine muslin.

and at the very bottom, the deep dark water that is "Abzu", home of Enki, and source of the sweet water which is the basis of all life.

I plan to embroider the cuneiform script for Abzu here. 

And this soft blue? Another piece of the same linen, where I am finding out what happens when you couch down a variety of threads, all bundled together. They can turn and twist around each other; separate and rejoin, and even flow off the main course completely and create space for a town or city.

The first city, according to myth, was Eridu, where the sweet water of the Abzu bubbled up out of the ground. I have bought some little chippings of lapis lazuli and carnelian to stitch where the main towns are cities are - and of course I can take the "water" away from the main course to create a surrounding liquidity and space for the soil to be brought together around the city, to build and to grow.

I think the ideas are beginning to coalesce, and I understand where I could go with this. There is much to explore, and perhaps several pieces of cloth to express several ideas and themes. I'm looking forward to the journey, and to the learning.